Posterized video might be likened to abstract painting. Details and naturalistic lighting are sacrificed in order to emphasize some other aspect of reality. In the music video “Coming Down,” Adam Edworthy uses posterizing to create visuals that sync with the music of the British rock band Buchanan. Posterizing and related effects can be achieved using software programs such as Adobe Premier Pro…
read more →The originality of many great movies comes from blending two seemingly different genres. Examples of genre mixing include “The God Father” (crime movie + family movie) and “Terminator” (sci fi + love story). We see this process with “Kicking The Clouds,” a music video that also is a travelogue. The video features Lazy Habits, a…
read more →Jessica Janos dedicated “Acid Waves” to survivors of domestic violence and sexual assault. Music videos aren’t known for delivering searing messages, and perhaps that risk-taking effort partly explains why the video, featuring music by Pale Blue, won the Mobile Motion Film Festival “Best Music Video Award.” But “Acid Waves” is not only issue oriented but highly entertaining. In…
read more →“Silience in London 2017” is a fine example of a music video shot as mini-documentary.
read more →The music video genre invites experimentation. Case in point: Olivia Wilde’s “No Love Like Yours,” in which the title song doesn’t begin until nearly three minutes into the six-minute video. Daringly, the opening segment celebrates another piece of music, “Ain’t I Right”performed by the Georgia Sea Island Singers and recorded in 1960 by folklorist Alan…
read more →Usually, we have no problem picking a thumbnail to illustrate our articles. A single frame can capture a key action, a surprising location, or a memorable expression. Not so with “Fly Away” because the essence of the film is reverse action: people and objects moving backward in time. So you’ll just have to trust us…
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