Multiple Camera Mobile Moviemaking
ColorDrop Media’s music video “Once in a While” illustrates the possibilities inherent in using a variety of mobile cameras to create a movie. FacebookTwitter
read more →ColorDrop Media’s music video “Once in a While” illustrates the possibilities inherent in using a variety of mobile cameras to create a movie. FacebookTwitter
read more →Novice filmmakers typically shoot movies that lack visual interest, with much of the action filmed from a medium distance, repeating the same kind of image throughout an entire film. Such repetition can make even potentially interesting subjects boring. Luckily, the remedy is simple: shot variety. This means altering the camera’s relationship to the subject, for example, by changing
read more →One of the most rewarding mobile moviemaking projects is the smartphone video biography. This is hardly a surprise when we consider that people—not explosions and other big actions—make Hollywood movies memorable. After the smoke settles, we remember characters such as Dirty Harry,Thelma & Louise, Goldfinger, the Godfather, Dorothy, Rocky, and Tootsie. Plus characters that act like people, for example Seabiscuit, Jaws,
read more →Aerial photography goes back way before the Wright brothers. Nineteenth century balloonists astonished earth-bound audiences with shots taken from the sky. Moviemakers early on exploited the visual possibilities of shooting from fixed-wing aircraft and helicopters. So there’s nothing really new about drone cinematography except that it has democratized the technique. Now anyone with a low-cost
read more →No matter what kind of movie you’re making, camera movement can add energy and interest to a shot. Examples include: panning (pivoting the camera to the left or to the right), tilting (aiming the camera up or down), and coming closer to—or pulling away from—the subject. However, to be effective, a moving-camera shot must satisfy two criteria. First, there should be a
read more →There are three reasons to shoot with your camera in the horizontal (landscape) orientation. First, because of the side-by-side arrangement of our eyes, shooting wide reflects the way we see. Second, because the standard of shooting wide was established by Thomas Edison in 1909 and maintained since then even for TV, viewers are used to
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