Shoot wide, not tall.
While there are exceptions, mobile movies will almost always look better if they’re shot in the wide orientation: horizontally rather than vertically.
read more →While there are exceptions, mobile movies will almost always look better if they’re shot in the wide orientation: horizontally rather than vertically.
read more →Learn how to create a professional-looking mobile news report or mini-doc by studying an example by Philip Bromwell.
read more →We’re all about democratizing video production. We believe that anyone can produce a short video that’s worth watching. You don’t have to be a Spielberg or a Lucas. The three equired ingredients: a few key skills, imagination, and the desire to make a film that entertains or teaches or both. To help novices get started and
read more →UK filmmaker Andrew Elias has won first place in our 2016 Memorable Places contest. Elias’s winning entry— “Life’s a Bench”—is set in the seaside town of Littlehampton. The four runners-up are: Yassin Sadek’s “A Place That Matters”; Connor deMayo’s “New Canaan”; Brady Shaw’s & Gavin Bomhoof’s “Lake of the Pines”; and Sami Al-Asfour’s “A Calgary Christmas.” Entrants in this
read more →Spanish filmmaker Conrad Mess has won the 2016 MobileMovieMaking Halloween Video Contest. His short film “Vengeance” stood out for its dramatic script, special effects, and make-up.
read more →If you’ve ever wondered about the people behind MobileMovieMaking Magazine, you’re in luck. An interview with one of our founders–Murray Suid–appears in the November issue of Mobile Media Monthly. Even if you’re not the least bit interested in our staff, we recommend the issue to you. It’s got all sorts of fascinating pieces on topics such as
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