For more than a century, filmmakers have used the split screen in storytelling. For example, capturing simultaneous actions dates back at least to “Suspense” (1913). That film also used a split screen to dramatize a telephone conversation. Portraying twins occurs in “Wonder Man” (1945). And—to confound the censors—a split screen in “Indiscrete” playfully suggested what Cary Grant and Ingrid Bergman might do if they were sharing a bed. Mobile technology makes it easy and inexpensive to split the screen. But to have an impact, there must be a good reason for using the technique. “Split”—directed by Charlie Gunn—meets that criterion. This beautifully acted drama gives the protagonist a dilemma and then explores two contrasting and emotional outcomes. Quantum physicists write equations dealing with multiple universes. Gunn brings that possibility to life in a way that’s entertaining and thought-provoking.

Two other examples of mobile-shot split screen movies featured on our site are “Splitscreen: A Love Story” and “Dark Saturday.”

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The editors of MobileMovieMaking have chosen “Split” as the Mobile Movie of the Week.