Child’s Point of View Sheds Light on the Pandemic
Savvy filmmakers often borrow literary devices to tell their stories. For example, a few weeks ago we showcased “Oreb,” which used personification to picture Rome in the time of Covid. With “Ghosts,” Diego Escobar and Natalia Varela employ a child’s point of view to capture the pandemic in El Salvador. An interview with the imaginative and resource…
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